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instrument mechanism / verified-clean
Interval / Chord / Scale Reference Builder mechanism
The inspectable method record for Interval / Chord / Scale Reference Builder, kept separate from implementation and qualification.
Model scope
The listed major and natural-minor scale patterns, dominant-seventh chord pattern, and octave interval are standard for 12-TET. The specification needs an explicit data schema for scale types, chord qualities, interval inputs, octave/register notation, accidentals, enharmonic spelling, and ascending versus descending intervals. The honest label should state the supported theory scope, such as '12-TET Western note, scale, chord, and interval reference; supported types and enharmonic spelling as listed.'
- The major-scale semitone pattern [0,2,4,5,7,9,11] is correct for a major scale in 12-tone equal temperament, but the algorithm does not specify modulo-12 handling, octave handling, or enharmonic note spelling.
- The chord expression root+third+fifth(+seventh) is incomplete: third quality must be defined as major (4 semitones) or minor (3 semitones), and seventh quality must distinguish major (11), minor/dominant (10), and diminished (9).
- The claimed interval-name computation has no stated algorithm or lookup table. It must define semitone distance, direction, octave crossing, and diatonic spelling; pitch-class distance alone cannot distinguish, for example, augmented fourth from diminished fifth.
- The supported scale and chord types are unspecified. Natural minor, harmonic minor, melodic minor, suspended chords, diminished chords, and seventh-chord qualities require explicit table entries.
- Accidental and note-spelling behavior is unspecified. A pitch-class-only implementation cannot correctly render scales such as F-sharp major or C-sharp major with the required letter names.
- The input specification omits the two-note inputs required for interval computation and does not define whether note registers such as C4 are accepted.
Units and conventions
- All semitone offsets assume standard 12-tone equal temperament (12-TET), with one semitone equal to 100 cents.
- Root and note names are assumed to use conventional letter names with optional sharps or flats; octave/register handling is required when intervals cross octaves.
- Pitch classes are numbered C=0, C-sharp/D-flat=1, ..., B=11 for the vectors below.
- No physical unit conversion is involved; the relevant unit is semitones, with interval names interpreted according to standard Western music theory.
Inspectable vector
One of 4 source-bound review vectors:
{
"inputs": {
"operation": "scale",
"root": "C",
"scale_type": "major"
},
"expected_outputs": {
"notes": [
"C",
"D",
"E",
"F",
"G",
"A",
"B"
],
"scale_degrees": [
1,
2,
3,
4,
5,
6,
7
],
"pitch_classes": [
0,
2,
4,
5,
7,
9,
11
]
},
"reference_data": {
"root_pitch_class": {
"C": 0,
"source_convention": "Widely tabulated standard 12-TET music-theory value"
},
"major_scale_offsets_semitones": {
"values": [
0,
2,
4,
5,
7,
9,
11
],
"source_convention": "Widely tabulated standard Western major-scale formula"
},
"pitch_class_note_names": {
"values": [
"C",
"C-sharp/D-flat",
"D",
"D-sharp/E-flat",
"E",
"F",
"F-sharp/G-flat",
"G",
"G-sharp/A-flat",
"A",
"A-sharp/B-flat",
"B"
],
"source_convention": "Widely tabulated standard 12-TET chromatic pitch-class convention"
}
},
"working": "Start at C, pitch class 0. Add the major offsets: 0 -> 0 = C; 0+2=2 = D; 0+4=4 = E; 0+5=5 = F; 0+7=7 = G; 0+9=9 = A; 0+11=11 = B. Therefore the scale is C-D-E-F-G-A-B with degrees 1-7 and pitch classes [0,2,4,5,7,9,11]."
}Failure boundary
BREAK_CLAIMED · SELF_FLAGGED
The extreme-octave vector exceeds signed 64-bit MIDI range and must be rejected or handled with arbitrary precision; the interval vector also exposes an unspecified signed-versus-modulo direction convention.
Other records
Sources and evidence
These pointers bind the page to evidence. They do not grant authority or collapse verification into deployment.
VERIFIED_LEDGER.jsonevidence-tranche7/tranche7-results.jsonBOUNDARY_HAZARD_CATALOG.json